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The explosive novel based on the eagerly anticipated StarCraft II video game expansion, Heart of the Swarm!

The sinister zerg leader no longer commands her legions of bloodthirsty aliens against the humans of the Koprulu sector, all thanks to the combined courage and tenacity of Jim Raynor, General Horace Warfield, and a mismatched team of Dominion soldiers and outlaw rebels.

Although the queen is no more, Sarah Kerrigan is very much alive. The woman who once controlled countless alien minds in a rampage across the stars has been spirited away by the man who dethroned her. Now Arcturus Mengsk’s Dominion armada is on her heels, roaring for blood. Jim Raynor will need to test his strength, his wit, and his loyalties against impossible odds to protect the woman he loves. StarCraft II: Flashpoint bridges the events that take place in StarCraft II: Wings of Liberty and the upcoming StarCraft II: Heart of the Swarm. Featuring never-before-seen glimpses into Jim Raynor and Sarah Kerrigan’s past, this novel opens a window into a world of passion, action, and adventure.

• Sales Rank: #107867 in eBooks
• Published on: 2012-11-06
• Released on: 2012-11-06
• Format: Kindle eBook

About the Author
New York Times bestselling and award-winning author Christie Golden has written more than forty novels and several short stories in the fields of science fiction, fantasy, and horror. Among her many projects are over a dozen Star Trek novels and several original fantasy novels. An avid player of World of Warcraft, she has written two manga short stories and several novels in that world. Golden lives in Tennessee. She welcomes visitors to her website: ChristieGolden.com.

Most helpful customer reviews

17 of 20 people found the following review helpful.
Incredible!
By Luna
What an excellent book for Starcraft fans! For fans of Christie's character driven stories in the Blizzard universes, this is an absolute MUST HAVE! It's got a bit of everything in it: tons of action, adventure, great dialogue, mystery, suspense and heart touching romance!

The story transitions well from the immediate aftermath of Wings of Liberty to set the stage properly for the upcoming Heart of the Swarm expansion set. Many characters, both major and minor, have their motivations and personalities shown in spotlight to create a much more personal journey than has been explored in the previous games. Of course the main characters you would expect make appearances: Jim Raynor, Sarah Kerrigan, Matt Horner, Valerian and Arcturus Mengsk. More importantly, many of the series minor characters are also explored, including Mira Han, Rory Swann, Egon Stettman, and previously unknown members of Raynor's Raiders. The character driven plot gives a much greater sense of a "universe" than Wings of Liberty could on its own, giving the games setting more depth in hindsight.

In my opinion, though, the highlight of the book was not its wonderful, character driven plot to set up Heart of the Swarm, but the tantalizing looks that it gave to the past, concerning the relationship of Jim Raynor and Sarah Kerrigan. The book goes into detail about just what Jim thought upon meeting Kerrigan for the first time (the famous "You pig!" and "Yeah but you were thinkin' it" line), their first date, Jim's deepening feelings for Sarah as she expresses her true emotions and motives.

While I have mentioned many of the character driven elements of the book, that is not to say that it isn't still set in the Starcraft universe! There are still fantastic action scenes in the book: plenty of gunfighting, battles in outer space, chase scenes and the like! The difficulty is that I caught myself having to re-read many of these scenes because the spoken dialogue between the main characters are just too captivating! Readers, I know it's difficult when the story is just so ridiculously engrossing, but slow down and take your time to read through the actions scenes as well! They really help to set the scene for just how much trouble Jim, Sarah and crew are in than the dialogue alone can convey!

To round out my review, I would like to add that I have touched very lightly on the plot elements, and I neglected to mention some of the more important things at all because I do not want to spoil the book for you. I have not mentioned the most tender moment of the franchise so far, the suspense involving the reveal of Raynor's true allies and enemies, or the sinister plot underlying the franchise expanded upon ever so slightly in these pages.

I have been a fan of literature since I was young, and a great fan of Christie Golden's work for Blizzard since I discovered her. This book, in my opinion, will rival her novel about Arthas Menethil as the masterstroke of her career so far. Going into the novel I had many idolized ideas about who the characters and their feelings towards each other. I was pleasantly surprised, at the end of my reading, to find that my ideas about the characters were not only correct, but enhanced by the backstory presented to us. To me, the mark of a great book is one which can not only present a beautiful overall scene, but also colors in the small details to create a full picture. In this book, the Starcraft universe is our canvas, and the complex characters fill in all of the wonderful details.

5 of 6 people found the following review helpful.
It's amazing!
By Philip Penchev
I'll be honest, I did not expect to enjoy this book. I was afraid it would be a side-story, unimportant. But I was absolutely wrong! Damn, the book is amazing. I have not finished it yet, but what amazes me about it is that it is written very well, the characters talk like they do in the game, and the story is very important, and interesting! It is the key story from two seconds after the ending of Starcraft II, to the beginning of Heart of The Swarm. If you care about the game, buy it. If you like sci-fi, buy it.

Overall, it's amazing (so far)!

3 of 4 people found the following review helpful.
Great book with few missed opportunities
By Sung M. Kwon
First I would like to lay out my potential biases for-or-against this book. I'm really into Starcraft universe, but mainly through the games and online wiki pages. This is the first book on the Starcraft universe(besides from game manuals) I've read thus far. I do read regularly, but my topics of interest in books were mainly history/politics/philosophy than fictions of any sort. My primary reason for purchasing this book was the new Heart of the Swarm cinematic trailer. After seeing such epic trailer, I really wanted to satisfy the itch to find out just what happened after Wings of Liberty. I figured that the odds are, I would have a decent time reading through this. Worst case I would be reading a total cheeseball of a story about characters I liked, which would still be fun.

Now that I laid out my background, here is my opinion on the book itself. Overall I had a great time reading this book. It gives much needed explanation to make sense of some really lackluster character motivations in WoL.

SPOILER ALERT

For me, the prime example is Valerian. If you played WoL without reading any of the outside canonical materials, his whole motive of "let's cure Kerrigan so I can show people what a great leader I can be" sounds extremely naive to the point of complete foolishness. Why not just use the artifect to weaken her to kill her? Once Golden tell us that Valerian is aware of the prophecy, his plan suddenly makes a whole load of sense. This revelation, along with the rest of first three chapters of the book, IMO, is so necessary that I want to praise Golden and criticize Blizzard. To Golden, thank you for making better sense of the whole messy final arc of WoL. To Blizzard... why would you leave out such an important information that help make sense rest of WoL to outside of your main storytelling device, that is the actual game? Whatever their reasoning is, the first three chapters alone made me appreciate my purchase of the book as a Starcraft fan.

Another messy plot dynamics of WoL that was better fleshed out here is Acturus-Tychus-Moebius-Valerian connection. If you played SC, BW then WoL without reading any of the books like me, the aforementioned connections is just messy. First, Acturus releases Tychus as a spy/assassin. Tychus then gets hired by Moebius to collect the artifacts. Moebius is collecting artifacts because of Valerian (also maybe because Narud is Duran and wants them for currently untold purposes), who is suppose to do this in secret from Acturus. This puts Tychus in middle of pretty much everyone, which is a huge problem in surprise-focused arcs like the "Media Blitz" in WoL. That doesn't get resolved in this book, but Golden at least simplifies this convoluted 4-way mess by turning Moebius into treacherous group that was actually in league with Acturus.

But enough about problems with WoL... More on Golden's book, Flashpoint does a great job in making sense of Kerrigan's motivations for upcoming HotS. We all knew she was not going to become Queen of Blades again because Blizzard just used entire game's plot to turn her human-ish (what a complete waste of entire WoL plot would have been if she would just revert back to being the Queen of Blades!)... so that left few questions such as how would she emotionally deal with all the carnage she caused and what her goal is now that she's less zerg-like? Flashpoint explain both through her love for James Raynor and her desire for revenge against Acturus. But instead of just turning that into a form of info-dump, Golden walks us through various phases of Kerrigan's emotional 'growth'. She would start off as a trauma victim, ridden with guilt and self hate. With Raynor's help she becomes more, erm, functional over time. It is here where Kerrigan-Raynor relationship is much better fleshed out through flashbacks, and I agree with few other reviewers on this site, this is probably the best form of character growth in this book and it's just really good. She goes through a rather rapid surge of recovery at the Prometheus base arc but by this point, all of the pieces about Kerrigan as a character is in place and her transition into a super warrior doesn't feel rushed at all. Rather, it felt welcome.

Two other characters, Valerian and Mira Han, felt bit cheesy in their overall goodness but I feel hesitant to fault this book for. Valerian had much of his character fleshed out in previous books, or so I am told, and his depiction in Flashpoint is suppose to be true to the framework laid out before Golden so there is that. Mira Han is largely motivated by her true-yet-playful love towards Matt, and her 'allegiance' to Raynor is true to the character but bits of informations about her tertiary good works, like giving food to refuges, feels like it came out of nowhere; doesn't hurt the story at all, but it felt just bit cheesy. Even so I feel hesitant about marking it down as a fault because the universe and story so far had enough bad guys as it is, did we really need to turn everyone into some sort of grim-dark survivor? Maybe to some, but I don't think it's necessary and bit of cheesy-goodness doesn't really hurt.

My issue with the book is that I feel like it missed out on a HUGE opportunity early on. When Acturus and Valerian is faced off against each other early on, the fleet that Valerian brought with him follows his order to fight against their Emperor to protect the former Queen of Blades. The crew of Bucephalus and maybe few other captains would be understandable, but the whole scale of things was basically a civil war breaking out. If I understand the lore correctly, resocialization is only for the marines/firebats/marauders (basically infantry/meatshield) so I'm assuming that all of the captains under Valerian's command freely decided to stick with him against their emperor. This pushed suspension of disbelief bit too far for me. And by missed opportunity, if you ever saw the remake of Battlestar Galactica or good books on topics of revolution/rebellion/coup-de-ta, you should see the ample opportunity for the mind games that both Acturus and Valerian would be forced into with various captains of battlecruisers as they would have to vie for their loyalty. Perhaps it would be too "off-topic" but I felt that it could have made for great read.

So there you have it, IMO Flashpoint is a great read. It missed few opportunities but it still help iron out the overall lore and tells the tale of Raynor's Raider's escape, new allegiances forming, and most importantly, Kerrigan's transformation through her love for Raynor and her hate towards Acturus.

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[I358.Ebook] PDF Ebook Reality Hunger: A Manifesto, by David Shields

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With this landmark book, David Shields fast-forwards the discussion of the central artistic issues of our time. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.

• Sales Rank: #104772 in Books
• Published on: 2011-02-08
• Released on: 2011-02-08
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .90" w x 5.20" l, .57 pounds
• Binding: Paperback
• 240 pages

Amazon.com Review
Sarah Manguso Reviews Reality Hunger

Sarah Manguso is the author of The Two Kinds of Decay, a memoir, and two books of poetry, Siste Viator and The Captain Lands in Paradise. Read Manguso's guest review of Reality Hunger:

"I doubt very much that I’m the only person who’s finding it more and more difficult to want to read or write novels," David Shields acknowledges in Reality Hunger, then seeks to understand how the conventional literary novel has become as lifeless a form as the mass market bodice-ripper. Shields provides an ars poetica for writers and other artists who, exhausted by the artificiality of our culture, "obsessed by real events because we experience hardly any," are taking larger and larger pieces of the real world and using them in their work. Reality Hunger is made of 600-odd numbered fragments, many of them quotations from other sources, some from Shields’s own books, but none properly sourced--the project being not a treasure hunt or a con but a good-faith presentation of what literature might look like if it caught up to contemporary strategies and devices used in the other arts, and allowed for samples (that is, quotation from art and from the world) to revivify existing forms. Shields challenges the perceived superiority of the imagination and exposes conventional literary pieties as imitation writing, the textual equivalent of artificial flavoring, sleepwalking, and small talk. I can’t name a more necessary or a more thrilling book. --Sarah Manguso

(Photo � Marion Ellinger)

Review
"In his new book, Reality Hunger, David Shields makes a case that a new literary form has arrived. [He] challenges our most basic literary assumptions about originality, authenticity, and creativity. Reality Hunger has caused a stir in literary circles. [The book] has struck a nerve."—Andrew Richard Albanese, Publishers Weekly (cover article)

"Reality Hunger is an exhilarating smash-up. . . . a work of virtuoso banditry that promises to become, like Lewis Hyde’s The Gift for earlier generations, the book that artists in all media turn to for inspiration, vindication, and altercation as they struggle to reinvent themselves against the headwinds of our time."—Rob Nixon, Chronicle of Higher Education

"Maybe he’s simply ahead of the rest of us, mapping out the literary future of the next generation."—Susan H. Greenberg, Newsweek

"The driving force behind this entertaining and highly persuasive polemic is a frustration with the contemporary mainstream novel. . . . I can’t stop recommending it to my friends. There is no more effective description (and example) of the aesthetic concerns of the internet age than this."—Edward King, The Times of London

"Shields has a point. He gives a damn. He's trying to make a difference. He's using the best of his formidable talents to do that."—Wayne Alan Brenner, The Austin Chronicle� �

"I love this book and am amused to see some of the hysterical reactions it’s provoked—proof, I think, of its radical truthfulness. Shields is utterly uninterested in providing intellectual comfort; he bravely, uncompromisingly delivers the news."—Walter Kirn
�
“On the one hand: Who does this guy think he is? On the other: It’s about time someone said something this honest in print. . . . [I am] grateful for this beautiful (yes, raw and gorgeous) book.”—Susan Salter Reynolds, Los Angeles Times
�
“This is the most provocative, brain-rewiring book of 2010. It’s a book that feels at least five years ahead of its time and teaches you how to read it as you go.”—Alex Pappademas, GQ
�
“I’ve just finished reading Reality Hunger: A Manifesto and I’m lit up by it—astonished, intoxicated, ecstatic, overwhelmed.”—Jonathan Lethem
�
“Good manifestos propagate. Their seeds cling to journals and blogs and conversations, soon enough sprawling sub-manifestoes of acclamation or rebuttal. After the opening call to action, a variety of minds turn their attention to the same problem. It’s the humanist ideal of a dialectic writ large: ideas compete and survive by fitness, not fiat. David Shields’s Reality Hunger has just the immodest ambition and exhorter’s zeal to bring about this happy scenario.”—Sam Sacks, The Wall Street Journal
�
“Reality Hunger, by David Shields, might be the most intense, thought-accelerating book of the last 10 years.”—Chuck Klosterman (on Twitter)
�
“The subtitle of David Shields’s Reality Hunger categorizes it as ‘a manifesto,’ which is a little like calling a nuclear bomb ‘a weapon.’”—Don McLesse, Kirkus Reviews
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“Thrilling to read, even if you disagree with much of it.”—Zadie Smith, The Guardian
�
“I find Shields’s book absorbing, even inspiring. The ideas he raises are so important, his ideas are so compelling, that I raved about this book the whole time I was reading it and have regularly quoted it to friends in the weeks since.”—Jami Attenberg, Bookforum
�
“A collection of wisdoms and aphorisms, some borrowed/stolen/appropriated from others, some written by Shields himself—which layer one upon the other to shimmer with an insistence on a literature that reflects modern’s life’s many complexities and contradictions.”—Debra Gwartney, Portland Oregonian
�
“This is the book our sick-at-heart moment needs—like a sock in the jaw or an electric jolt in the solar plexus—to wake it up.”—Wayne Koestenbaum
�
“It’s already become required reading in university spheres, galleys passed from one student to the next like an illicit hit of crack cocaine. I came away from Reality Hunger excited about writing my own fiction, and impatient about books that don’t offer these same thrills.”—Sarah Weinman, Flavorwire
�
“David Shields has put a bullet in the brain of our ridiculously oversimplified compulsion to think of everything as a narrative.”—Paul Constant, The Stranger
�
“One of the most provocative books I’ve ever read. . . . I think it’s destined to become a classic.”—Charles D’Ambrosio

"Thank goodness for David Shields and his new book, Reality Hunger: A Manifesto, which, among other things, is a literary battle cry for the creation of a new genre, one that doesn't draw distinctions between fiction and nonfiction, originality and plagiarism, memoir and fabrication, scripted and unscripted. . . . Shields, brilliant, thoughtful, and yes, original, is calling for an 'ars poetica for the burgeoning group of interrelated but unconnected artists in a variety of forms and media.'"—Cathy Alter, Atlantic

"David Shields’s radical intellectual manifesto, Reality Hunger, is a rousing call to arms for all artists to reject the laws governing appropriation, obliterate the boundaries between fiction and nonfiction, and give rise to a new modern form."--Elissa Schapell, Vanity Fair

"A book that defends plagiarism, champions faked memoirs, and declares fiction dead has the literary world up in arms."—Laura Miller, Salon

"I don’t think it would be too strong to say that Shields’s book will be a sort of bible for the next generation of culture-makers."—David Griffith, Bookslut

"This dude’s book is the hip-hop album of the year."—Peter Macia, Fader

". . . a guidebook for where literary writing could go in the future. . . . You might not agree with Shields’s broadside or his hardheaded conclusions, but it’s difficult not to fall under the sway of this voracious and elegantly structured book. Reality Hunger is ultimately an invigorating shakedown of the literary status quo: recommended for readers, essential for writers."”—Scott Indrisek, Time Out New York

“A mind-bending manifesto.”—The New York Times

“Reality Hunger urgently and succinctly addresses matters that have been in the air, have relentlessly gathered momentum, and have just been waiting for someone to link them together. . . . [Shields’s] book probably heralds what will be the dominant modes in years and decades to come.”—Luc Sante, The New York Times Book Review

Sam Tanenhaus: “Every once in awhile a loud shout comes from the literary world that tells us that everybody is doing everything wrong. . . . Shields has done something ambitious here, and he has done it in an unusual way. . . . Will Reality Hunger have an impact on the way fiction writers and essay writers go about their work?” Luc Sante: “I think it might.” The New York Times Book Review podcast

“With an assist from others’ quotations, Shields argues that our deep need for reality is not being met by the old and crumbling models of literature.”—Editors’ Choice, The New York Times Book Review

“Give him credit. Here’s a manifesto that goes for broke. His book . . . champions his vision of a new avant-garde by enacting it.”—Wen Stephenson, The New York Times Book Review �

“His complaints about the tediousness and terminality of current fictional convention are well-taken: it is always a good time to shred formulas.”—James Wood, The New Yorker �

“The phrase ‘paradigm shift’ is one that induces my gag reflex, but that’s what he’s up to here. And, dear readers, shift happens.”—Kimberly Marlowe Hartnett, Seattle Times �

“One of the great books of the year. The book, quite simply, is a marvel, far more provocative and revelatory than annoying . . . and very much a part of the community of writers who are determined to be infinitely smarter than we may all deserve . . . Here’s a guy who actually thinks he knows what’s happening, Mr. Jones. I tell you it’s pretty exciting. Here, at last, is the extraordinary writer David Shields with a book that’s the equivalent of a mall ‘you are here’ map. Reading Shields maybe be the first time I’ve actually liked looking at the map and learning where we are.”—Jeff Simon, Buffalo News

“America is losing faith with its fictions. Such is the thesis of David Shields, whose new book, Reality Hunger: A Manifesto, lays out a compelling case for the prosecution.”—Tom Shone, The Daily Beast

“As is true of any good manifesto, [Shields] clocks or locks a feeling in the air, something already everywhere, familiar but not fully formed.”—Alexandra Juhasz, The Huffington Post

“David Shields has set the culture class abuzz with his attack on an obsession with reality that doesn’t exist. Reality Hunger refuses to sit still, leaping among ideas, arguments, programmatic declarations, aphorisms, personal asides, history, and etymology. For anyone frustrated, disappointed, or confused about the purpose of literature in the 21st century, . . . for anyone who . . .� is a member of the ‘rarefied world of literary culture’ (or would like to join), Reality Hunger is a must-read.—Ryan Bigge, Toronto Star

“A small new book� that’s been making a very big splash. . . . It’s clear . . . why Shields’s self-proclaimed manifesto is making so much noise: its ostensible blast is at the fiction in every novel, but its reverberating echoes can be felt in the facts of any magazine, any newspaper.”—Rick Groen, Toronto Globe and Mail

“How can we create a literature that’s urgent and vital and true to this particular here and now? Practices of writing, and reading, are shifting. None of us should take current modes of expression for granted. I want people to read [Shields’s]� book and passionately debate these issues. I want this discussion to matter. And I want to be part of it.”—Catherine Bush, Toronto Globe and Mail

“Shields is the literary equivalent of a frenetic DJ, trolling through vinyl albums, turning other people’s music into his on-stage creation. … For an egghead like me, he is loads of fun to read. Reality Hunger is a feverish collage of insights, often paraphrased and mashed up from other writers.”—Richard Handler, CBC Canada

“A spirited polemic on behalf of nonfiction. . . . an important book. The fiction vs. nonfiction debate has become intense in recent years, and Shields cranks it up a notch. . . smart, stimulating, and aphoristic . . . a provocative and entertaining manifesto.”—Blake Morrison, The Guardian, “Book of the Week”

“Essential reading for both readers and writers. Bold, entertaining, contentious, it pushes us to think about the processes and future of fiction-making, as well as its relation to nonfiction. In short, it shakes us up a bit.”—Stephen Emms, The Guardian

“He manages to give bourgeois traditionalists a right good kicking. One cannot help but admire his verve as well as his nerve.”—Sean O’Hagan, London Observer

“The book is anything but a monograph; it’s a polygraph.”—Toby Litt, Financial Times

“Reality Hunger is more than thought-provoking; it’s one of the most beautiful books I’ve read in a long time.”—Jonathan Safran Foer

“Reality Hunger is brilliant. It keeps the reader alert and attentive and excited through sheer intelligence, epigrammatic concision, wit, and sheer rightness, as when a pronouncement is so correct that it just pulls all the clouds aside. . . . There’s a feeling of the imminence of violence in these perceptions. This is a great compliment.”—Charles Baxter

“Reality Hunger is witty, insightful, and compulsively readable. Every page abounds in fresh observations.”—Lydia Davis

“I think Reality Hunger is absolutely wonderful. Exhilarating.”—Mark Leyner

About the Author

David Shields is the author of nine previous books, including The Thing About Life Is That One Day You'll Be Dead, a New York Times bestseller; Black Planet, a finalist for the National Book Critics Circle Award; and Remote, winner of the PEN/Revson Award. His work has been translated into fifteen languages.

Visit his website at www.davidshields.com.

Most helpful customer reviews

251 of 300 people found the following review helpful.
Still Hungry
By Eric Lundgren
1. Despite this book's praise for collage and appropriation, cutting passages from the jacket copy and/or Shields' own description of the book, then pasting as a five-star Amazon review, isn't valuable in any way.

2. Speaking of the jacket copy, by writing a negative review of this book it seems I will be "defending the status quo." Always useful to caricature your opponents in advance. And I thought the status quo totally depressed me ...

3. What is this "conventional literary novel" Shields keeps talking about? Yeah, I also have no desire to read Olive Kittredge, but my lack of interest in the latest celebrity memoir hardly discredits the genre of memoir as a whole. Is Shields reading Hemon, Javier Marias, Percival Everett, Kathryn Davis? For someone who persuasively writes of the novel as a hybrid genre and wants to stake out an indefinite space for his own work, Shields really likes drawing lines in the sand.

4. When Shields does admire a fiction writer (i.e. Bernhard, Coetzee, Sebald) he pretends the writer is a sort of essayist in disguise. This is bizarre. All of the above writers create imaginary characters and involve them in invented narratives. Photos in Sebald do not make him a documentarian. The reason their books do not seem like fiction is that they are incredibly well executed, that is to say artistic. Fiction that does not seem like fiction is simply good fiction. Shields can't admit that the magic is working.

5. How can a book about reality-based forms of art and writing not mention historical fiction even once? Is it because historical fiction sounds staid and proves that Shields' ideas aren't as new and exciting as they want to be? Anybody remember postmodernism, by the way?

6. "Elizabeth Costello," a book Shields recommends several times, would surely create much less cross-genre frisson (would be much less interesting in Shields' own terms) if it was just a series of lectures, if it didn't have its so-called fictional rigging. The fictional elements of it are what create the epistemological uncertainty -- a fact that was certainly remarked upon when Coetzee delivered the stories as lectures at universities.

7. It's funny that a writer tries to be au courant by citing 40-50-year-old quotes announcing the death of fiction. Doesn't this undermine the case a little? No doubt he's right ... about fiction's irrelevance to the culture, anyway, but surely it will be displaced by more meaningless chatter, social networking, and noise, not the lyric essay. Actually this book seems to be in many ways a manifesto for the blogosphere. I kept thinking, blogs are what you want to read, man. Brevity, appropriation, truthiness, the self in all its mangy glory.

8. The part where he tells his writer friends what their books are really about is insufferable. Even the original recipients must have winced when they got these letters, and it is painful to eavesdrop on them. The chapter is of a piece with Shields' bewildering theory that fiction has a sort of extractable essence. If only Ballard did away with all those drained swimming pools and crashed cars and told us what he really meant about technology and modernity! If only Kafka cut the atmospherics and philosophized! Surely Shields thinks "The Zurau Aphorisms" is Kafka's best book.

9. I realize I am getting carried away here. This is to Shields' credit. He has not instructed but provoked my soul, to paraphrase him paraphrasing Emerson. Ultimately this is a book about the lit David Shields likes, which is stuff I also like. I don't define it the way he does. I resent the sophistries and the posturing. I suspect his argument against fiction is more personal than I understand, much like Franzen's jeremiad against difficult books. But the aesthetics here seem pretty egocentric and narrow in the end. (When you read a novel you are participating in someone else's imagined reality, and it amazes me that someone so averse to this generous, beautiful act would comment on fiction at all.) However, "Reality Hunger" is a seriously intended book and it should provoke a serious debate. Let's stop essentially blurbing this book -- it's been blurbed more than enough already -- and actually discuss it.

20 of 21 people found the following review helpful.
Do me a favor and stab my eyes out with a screwdriver, thanks.
By Reader in Virginia
"Reality Hunger: a Manifesto" combines extreme intelligence with extreme silliness, tiresome tech-savvy, and self-regarding irony. The result is as tiresome as the character-drive epic novels the author quite rightly disdains. Reading the book is like being held captive by a half-drunk, know-it-all, newly tenured professor holding court at a grad school after-party. He's read everything, knows more than you do, and is bound and determined to bore you to death with every excruciating aside. He loves himself and wants you to love him too. So much of what the author says in this book (published 2010) already sounds outdated and even pass�.

62 of 75 people found the following review helpful.
Strictly from hunger...
By Wild Bill Jones
I don't know Shields's other books, but based on this one, I'd say he's an ambitious, and pretentious, lightweight. Like many another failed or stalled novelist before him, Shields tries to do an end run around the problem of creating something of value by emitting a "manifesto" of How Literature Should Be. Beware of blowhards bearing rules. He doesn't define his terms clearly, and often his ideas, such as they are, are mutually contradictory.

It boils down to this: he finds traditional narrative boring. He's bored reading it, and, perhaps more significantly, he is bored writing it. He talks about how bored he is with the "traditional form of the novel," as if there is such a thing in a genre that includes "Don Quixote," "Tristram Shandy," "War And Peace," "Nightwood," "Middlemarch," "Bleak House," and any ten other good novels you might name.

This is a gimmicky and ultimately pathetic book, in my opinion. There are already all kinds of genre-bending books out there -- "The Unquiet Grave," by Cyril Connolly, any of Lydia Davis' books, Nicholson Baker's "Vox," "Operation Shylock" by Philip Roth... I mean you could go on all day with such a list. None of these writers needed David Shields to give them permission to do whatever the hell they wanted at the writing desk. This book is basically a desperate and opportunistic attempt by an intellectual poseur to claim some shelf space next to his intellectual betters. Sorry, but that's how I read it.

But if you'd like a much more cut-to-the-chase opinion, check out Shields's appearance on the Colbert Report from mid-April. Colbert (literally) tears him a new one. See how seriously you can take him after his unctuous, self-inflated performance here:
[...]

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What do you do when your girlfriend's younger brother is the best-looking person on the planet and has a thing for you but he's only sixteen? Parish doesn't know what he's going to do, but he is about to find out. Luke Hartwell, author of Atom Heart John Beloved and other works of fiction, puts together yet another short story that is both charming and sexy. As usual, the narrative voice is winsome, and the story conveys a surprising amount of depth.

• Sales Rank: #1438453 in eBooks
• Published on: 2015-06-08
• Released on: 2015-06-08
• Format: Kindle eBook

Review
Like Hartwell's previous work, "Nothing Strikes Back" is both sexy and charming but also at times blunt and thought-provoking. We like that in literature and are beginning to think no one today is doing it quite as well as Hartwell. When a book makes us smile at times, makes us almost cry at others, but also causes us to contemplate the nature of love and our society's laws forbidding it, we know the author is doing something right. This short but sweet story is another important work from an important writer.

From the Author
I grew up in places much like the fictional town of Weston in my novel Atom Heart John Beloved. I always enjoyed reading books with the gay boy attracted to straight boy dynamic, and several of my stories deal with just that.

From the Back Cover
watergreen.wix.com/watersgreenhouse

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2 of 2 people found the following review helpful.
Short and Nearly Gratifying
By Mongrelonian
This short story teases more than it satisfies, yet I liked it very much. Parish, the narrator, has a rather dry sense of humor and a fatalistic attitude toward his relationships with girls. One of those girls has a younger brother Parish finds intriguing, and vice versa. The dance they do around each other throughout the story keeps one waiting and wondering. I might have enjoyed a slightly different ending, but the one it has is likely for the best. All in all, it's fine, enjoyable story.

2 of 2 people found the following review helpful.
Another great story!
By Amazon Customer
Another great book by Luke Hartwell. I've enjoyed all the material I have read by this author. He has a way of storytelling that makes you feel like you are there experiencing it with the characters. His plots usually involve a gay person and a "straight" person who find out they have more in common than they first believed. This story is no exception and gives great insight into two young mens' thoughts about themselves and how they resolve the situation between them.

1 of 1 people found the following review helpful.
I'm addicted to Luke Hartwell's books!
By LenaRibka
It is probably the sweetest and the most NORMAL novel with the most LIKEABLE characters that Luke Hartwell has ever written.

And it was my last in my to-read list of this author.

And I'm sobered and inexpressibly saddened.

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[B620.Ebook] PDF Ebook Down by the River, by Charles Bowden

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Drugs, Money, Murder, and Family

• Sales Rank: #10230651 in Books
• Published on: 2002
• Binding: Hardcover

Most helpful customer reviews

7 of 7 people found the following review helpful.
Landscape of the American Southwest-A View
By Charles M. Nobles
For some 30 years David Lee has been writing narrative style poems about people living in the country he loves the most: the rural Southwest. He was Utah's first Poet Laureate and has won a string of prestigious awards and only recently retired as chair of the Dept. of Humanities, Languages, and Literature at Southern Utah University. This is his fifteenth book of poetry and the first to explore in depth what has always been in the background of his work-the desert and canyon country of the Back of Beyond in the American Southwest.Thus, this book is his effort to honor the heartbreaking beauty of, and despair for the destruction of, his beloved homeland. The book is divided into four sections or basic elements consisting of earth, fire, water, and air. Beginning at dawn and continuing throughout the day in a walking journey the reader is treated to Lee's theological, philosophical, and environmental meditations. The book opens and closes with a requiem and provides landscape portraits that reach far beyond the traditional "regional poetry." Lee simply see's things "out there" commonly missed by others. This is a must read by one of america's finest poets.

1 of 1 people found the following review helpful.
Great Poetry and Poet!
By Michael Clayton
I just love reading David Lee's work! David Lee's Poetry is unique and earthy in its honesty and applicability! One of my favorites!

0 of 0 people found the following review helpful.
Five Stars
By ReaderATX
Amazing!

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[N847.Ebook] Fee Download Beyond Beatmatching: Take Your DJ Career to the Next Level, by Yakov Vorobyev, Eric Coomes

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This is the Kindle version of the free web-based book “Beyond Beatmatching” on how to DJ.


The team behind Mixed In Key software explores the art of professional DJing to answer one simple question: What can you do to become a better DJ?

Beyond Beatmatching will show you how to:

• Use harmonic mixing in your DJ sets
• Mix with energy levels in mind
• Dig for the most unique tracks and define your sound
• Build a perfect DJ laptop
• Mix a flawless DJ set
• Create your own mashups
• Get gigs at nightclubs and festivals
• Build your brand with a logo design, publicity shots and press kit
• Use Facebook and social media to expand your audience

The book also features in-depth interviews with key DJs, innovators and executives, including Markus Schulz, DJ Sasha, A-list manager Ash Pournouri, talent booker Biz Martinez, marketing guru Karl Detken, and many more.

Written in a user-friendly, straightforward tone and rife with valuable insights about the history (and future) of modern DJing, Beyond Beatmatching covers ground that no guide to DJing has attempted to date. Get this book today and discover a wealth of advanced techniques already known to the world’s best DJs.

• Sales Rank: #345431 in eBooks
• Published on: 2012-05-03
• Released on: 2012-05-03
• Format: Kindle eBook

About the Author
Bill Murphy Jr. is the author of In a Time of War: The Proud and Perilous Journey of West Point's Class of 2002. Previously, he worked as Bob Woodward's research assistant on the bestselling State of Denial. An inveterate entrepreneur who was on the founding teams of three separate startups, he is also a former military officer, lawyer, and Washington Post reporter.

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4 of 4 people found the following review helpful.
Extremely Well Written.
By Matthew Gagliano
I consider this Part II to "How to Dj Right" These guys have been rocking it with their software and I'm very happy with this book and all their products. No, I don't work for them, you can check me out on [...]

Thanks Mixed in Key Team!

2 of 2 people found the following review helpful.
Superb for anyone that is tired of the trite "how to dj books"
By Karl Detken
Beyond what I expected! Not anything like the typical "this is how to be a DJ" plethora of books that are out on the market. This book takes you beyond the mechanics and drills down on the things that other books omit. The interviews were especially enlightening and I would have this be required reading for anyone entering the producer or DJ artist world. Bravo!

3 of 4 people found the following review helpful.
A Great End to End Reference Tool for DJ's
By Halia John 14:6
I just read 'Beyond Beatmatching'. I like the end to end approach of teaching about DJing and I liked that it was succinct and to the point and at the same time a great reference tool for DJ's. The book evoked emotion because it showed the passion and love for DJing. It argued that DJing is an art and gave examples why and at the same time the book showed that there were certain technical/scientific techniques that could be used for this art to be improved. The Camelot wheel made me think of the color wheel right away that painters use, hence it made me think of DJs as artists.
I never knew that you could distinguish on a record which part is vocal and which is musical, that is sooo cool.
I liked the interviews with the different DJ's, it was nice to see different views, it was a great way to show that each artist had his own unique signature, his own 'thumbprint' on DJing. Having pictures of the DJs was a great idea, I always liked visuals and pictures in books, made the book more interesting for me.
I cracked up at the tip: 'And don't wear anything that would embarrass your mother.'
I love the song 'Say it Right', one time I played that song at least 10 times in one day as I was cleaning my house. It's a very classy song, a nice touch to the book (in my opinion).

Peace,
Halia
google...Matthew 11:28-30

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• Sales Rank: #4344265 in Books
• Published on: 2008-04-02
• Original language: Spanish
• Dimensions: 8.26" h x .58" w x 5.51" l,
• Binding: Paperback
• 256 pages

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[L134.Ebook] Ebook Free Sense and Respond: How Successful Organizations Listen to Customers and Create New Products Continuously, by Jeff Gothelf, Josh Seiden

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The End of Assembly Line Management

We’re in the midst of a revolution. Quantum leaps in technology are enabling organizations to observe and measure people’s behavior in real time, communicate internally at extraordinary speed, and innovate continuously. These new, software-driven technologies are transforming the way companies interact with their customers, employees, and other stakeholders.

This is no mere tech issue. The transformation requires a complete rethinking of the way we organize and manage work. And, as software becomes ever more integrated into every product and service, making this big shift is quickly becoming the key operational challenge for businesses of all kinds. We need a management model that doesn’t merely account for, but actually embraces, continuous change. Yet the truth is, most organizations continue to rely on outmoded, industrial-era operational models. They structure their teams, manage their people, and evolve their organizational cultures the way they always have.

Now, organizations are emerging, and thriving, based on their capacity to sense and respond instantly to customer and employee behaviors. In Sense and Respond, Jeff Gothelf and Josh Seiden, leading tech experts and founders of the global Lean UX movement, vividly show how these companies operate, highlighting the new mindset and skills needed to lead and manage them—and to continuously innovate within them.

In illuminating and instructive business examples, you’ll see organizations with distinctively new operating principles: shifting from managing outputs to what the authors call “outcome-focused management”; forming self-guided teams that can read and react to a fast-changing environment; creating a learning-all-the-time culture that can understand and respond to new customer behaviors and the data they generate; and finally, developing in everyone at the company the new universal skills of customer listening, assessment, and response.

This engaging and practical book provides the crucial new operational and management model to help you and your organization win in a world of continuous change.

• Sales Rank: #43859 in Books
• Brand: Harvard Business School Press
• Published on: 2017-02-07
• Released on: 2017-02-07
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x 1.10" w x 6.10" l, .0 pounds
• Binding: Hardcover
• 256 pages

Features

• Harvard Business School Press

Review
ADVANCE PRAISE for Sense and Respond:

Eric Ries, author, The Lean Startup—
“The authors’ ideas—from the continuous two-way conversation we should be having with customers to the concept of ‘learning forward’ in order to forge ahead despite uncertainty—provide a crucial framework for the modern world of business. With fascinating case studies and practical advice, Sense and Respond shows how to take the structures and methods of software companies and apply them to organizations of all kinds and sizes.”

Rita Gunther McGrath, Professor of Management, Columbia Business School; author, The End of Competitive Advantage—
“Gothelf and Seiden starkly highlight that our twentieth-century management systems and practices simply cannot function in a world of constant change. In this insightful and practical book, they provide crucial principles and techniques for becoming a ‘sense and respond’ organization.”

Noelle Eder, Executive Vice President, Card Customer Experience and Operations, Capital One—
“Sense and Respond offers compelling, real-world examples and practical advice on what I’ve seen firsthand: how implementing agile practices and fully embracing a test-and-learn approach to innovation can drive results and create new opportunities—regardless of the industry you work in.”

Alan Cooper, Software Alchemist; coauthor, About Face: The Essentials of Interaction Design—
“The significant challenge of the digital age isn’t technology or design or agile methods. Rather it is understanding how to integrate these things into commerce. This demands approaches to organization and leadership that are qualitatively different from conventional ones. Gothelf and Seiden lay out a clear-sighted blueprint for success.”

Greg Petroff, Chief Experience Officer, GE Digital—
“Sense and Respond vividly illustrates a new world, where products get built dramatically differently and faster than in the past. Gothelf and Seiden show how companies that learn to sense, understand, and respond to customers in real time can leverage this new world to deliver breakout products of their own.”

Nick Rockwell, Chief Technology Officer, New York Times—
“Gothelf and Seiden translate and transport the essence of agile thinking from software development into the heart of the business. Their message is timely, as most companies are missing the boat on what is truly important about agile. Sense and Respond provides exactly the guidance we need to get back on the right path.”

About the Author
Jeff Gothelf is a lean-thinking and design evangelist, spreading the gospel of great team collaboration, product innovation, and evidence-based decision making. He is an author, speaker, and thought leader on the future of product development and design, often teaching workshops or giving talks on building cultures that support teamwork and innovation. Earlier in his career, Jeff led the UX design teams at TheLadders and Web Trends. He also worked with and led small teams of software designers at AOL. Find Jeff Gothelf at: jeffgothelf.com/blog/#sthash.u778LREd.dpbs, jeffgothelf.com/blog/about/#sthash.QeHExuty.dpbs, and linkedin.com/in/gothelf, and follow on Twitter @jboogie.

Josh Seiden is a designer, consultant, and coach who helps companies create new digital products and services. In his 25-year career he’s worked with start-ups, large organizations, and enterprises of all sizes, whether in Silicon Valley or on Wall Street. He is a founder and past President of the Interaction Design Association. Find Josh at: joshuaseiden.com, joshuaseiden.com/blog/portfolio/, and linkedin.com/in/jseiden, and follow on Twitter @jseiden.

Most helpful customer reviews

1 of 1 people found the following review helpful.
This is a great book. In the world of Lean Startup and ...
By Janet J Bumpas
This is a great book. In the world of Lean Startup and Agile, there are many books about how to run one small project to build a product based on customer feedback. What is rare is to figure out how to do this at scale - getting an entire organization to learn at scale and develop products and services based on customer feedback. This book provides a great guide for how to do this, all based on real-world experience. Required reading for anyone who wants to run a learning organization at scale.

2 of 2 people found the following review helpful.
I’m sucking in Sense & Respond like a dehydrated dude sucks in water at an oasis ...
By Peter B Anderson
I’m sucking in Sense & Respond like a dehydrated dude sucks in water at an oasis in the desert. As I finish up Part 1 you guys have perfectly summarized the issues I’m facing on a day-to-day basis in corporate america. Cheers!

2 of 2 people found the following review helpful.
Leaders should read this book
By Ryan Jacoby
Love this whole book, but especially Chapter 7 Doing Less, More Often. It really gives a blueprint for leaders who want to enable their teams to get going right away doing better, more effective work.

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